Eucalyptus
4 - 30 October 2014
Liverpool Street Gallery
I have been travelling annually to the desert, to Fowler’s Gap in far north-western New South Wales for over twenty years. The painting Eucalyptus and the recent body of paintings, sculptures and works on paper relate to my experience of the desert and nature.
I tend to fall in love with a subject, and then make work that is an exploration of the ‘thing’ and its place in the world. It’s about making sense of things.
Eucalyptus came from a charcoal drawing of gum leaves that I made in situ in the red-desert. The shapes, forms and colours of the painting relate to the leaves, the shadows on the ground, the surrounding elements. The result is a flat, linear painting that works on both a micro and macro level.
I’m not interested in a literal translation but a poetic moment that speaks of things in nature. I am interested in the conversation between Western and Indigenous landscape painting.
Peter Sharp
June 2014

Bimble Box

Black Box

Bloodwood

Bough

Breeze (back)

Breeze (front)

Circle Work

Cleft

Dapple

Eucalyptus

Gum Leaves and Stones

Gumdrops

Gumnut

Hollow

Lean to

Lichen

Mallee

Narrow Leaf

Peppermint (back)

Peppermint (front)

Quarts I

Quartz II

Rustle

Saltbush

Sapling (back)

Sapling (front)

Scratch

Scribbly Bark (back)

Scribbly Bark (front)

Stand

Sway

Switch

Wattle